The Late Late Show Unearthed Taraji P. Henson’s Audition Tape for Cookie Lyon …

9 Dec 2015 | Author: | No comments yet »

TV tonight: Taraji and Terrence, ‘Worst’ finale.

For decades, holiday programming centered on “Christmas With (Fill in the Blank)” specials, where celebrities from Julie Andrews to Luther Vandross would host shows filled with good songs and awful sketch humor. On The Middle (a show that could use some well-deserved appreciation as a holiday gift), Frankie’s plans to spend Christmas Eve at home go awry, as they often do.

Eventually Taraji snaps and starts to lay into his character –with a tirade of epic put downs, including laying into his less than successful film Into The Woods. On The Goldbergs, Beverly is determined to have a “Super Hanukkah,” which is a nice change from those days when the show kept its characters’ religion on deep background. And tonight, the cast from Fox’s musical soap opera “Empire” get together under their real names to host “Taraji and Terrence’s White Hot Holidays.” Taraji P. Blackish (9:30 p.m., ABC) – Dre worries that Christmas is too commercialized, and Pops and Ruby think the kids have forgotten the true meaning of Christmas.

She later added, “I raised Benjamin Button, b-tch,” and then mocked Corden for not having any Oscar nominations to his name. (Henson was nominated for her role in The Curious Case of Benjamin Button.) “You think anybody saw you in Into the Woods? The Empire actress, who has been nominated for an Oscar and an Emmy, had to work very hard for all of her achievements, but believes she is only just beginning to hit her stride. “Taraji was what I call ‘Project Royalty’ because in the projects, honey, she is royalty. Celebrity Food Fight (10 p.m., Food) – Andy Richter plays host when celebrities Tony Hale, Fred Willard, Jaleel White and Marilu Henner come to a dinner party that has treats, spirits and competition. Personally, I think the variety show died off for good reason, but if the genre still appeals to you, this probably will be satisfying. “The Middle,” 8 tonight; “The Goldbergs,” 8:30 tonight; “Modern Family,” 9 tonight; “Black-ish,” 9:30 tonight, ABC “The best comedy block on television” might not be much of an honor at the moment, but ABC’s Wednesday lineup holds it.

Tonight, the four close out the fall with a Christmas-themed episode from each. “Hellevator,” 8 tonight, GSN The idea of a horror game show isn’t intrinsically terrible, but the real horror in this freshman effort was the execution. YOU’RE THE WORST — “The Heart is a Dumb Dumb” — Episode 213 (Airs Wednesday, December 9, 10:30 pm e/p) Pictured: Aya Cash as Gretchen. (Photo: Byron Cohen/FX) Sure, you could watch the fall finales of Code Black (CBS, 10 ET/PT) or Nashville (ABC, 10 ET/PT) instead. Glen Hansard and Marketa Irglova shine as kindred spirits, an Irish busker and a Czech pianist with a broken vacuum cleaner, who forge a risky bond on the streets of Dublin. This one swings with “Sinatra Sings” (2011), a highlight reel from television broadcasts starring “The Chairman of the Board” in the 1960s, ’70s and ’80s.

In “black-ish,” at 9:30 p.m., Pop comes up with a plan for more family time in lieu of Christmas gifts, leading the kids to hope that Santa will reward them if they’re nice rather than naughty. Eric Larsen and Ryan Waters brave the Arctic Ocean’s thinning ice and freezing waters as they try to navigate 480 miles to the geographic North Pole in a record-breaking 48 days. After nearly two decades on the air, the show has revitalized itself “by asserting that it takes an outrageous comedy to capture an era of outrage,” James Poniewozik wrote in The Times. Jeff Hobson, Andrew Basso, Yu Ho-Jin, Kevin James, Adam Trent, Jonathan Goodwin and Dan Sperry display their special brand of magic, including a daredevil feat requiring Mr.

A New Jersey couple run a commune for sober living in their suburban home, its members supporting themselves by selling “health tea” out of their van.

Here you can write a commentary on the recording "The Late Late Show Unearthed Taraji P. Henson’s Audition Tape for Cookie Lyon …".

* Required fields

Finding the ‘Joy’ in Jennifer Lawrence

20 Jan 2016 | Author: | No comments yet »

‘Joy’ review: Jennifer Lawrence cleans up in enjoyable biopic.

Writer-director David O. Their latest collaboration — following in the footsteps of Silver Linings Playbook and American Hustle — is a biographical picture about the life and times of Joy Mangano.Jennifer Lawrence groans when she’s asked about singing the classic Nancy and Frank Sinatra duet Something Stupid with co-star Edgar Ramirez in her new film Joy. “David [O Russell, the movie’s director] texted me last night to ask if he could put it on the soundtrack and this is what I texted him back,” the actor says as she digs around for her mobile phone and reads out her response verbatim. “‘David, no!!!’ and it is three exclamation marks.In a very abbreviated nutshell, that actually happened to Joy Mangano, 59, the fabulously successful Long Island entrepreneur/inventor and HSN pitchwoman whose rags-to-riches journey started with the invention of a mop.

Russell has made three kinds of movies: offbeat romances (“Flirting With Disaster”), surreal comedies (“I Heart Huckabees”) and dramas about dysfunctional yet appealing families (“The Fighter”). In real life, Mangano is the Long Island housewife and inventor who became famous and eventually rich after bouts of near-bankruptcy, by creating and marketing her Miracle Mop. Out Boxing Day in Australia, the film stars Jennifer Lawrence in the fictionalised life story of Joy Mangano, a single mum from Long Island who made her fortune selling a mop. On Christmas Day, “Joy,” a movie inspired by her struggles as a divorced, single mother turned mogul by way of that mop, will open at movie theaters across America.

This was before she hooked up with the giant Home Shopping Network, becoming their most effective pitch person and eventually selling her parent company, Ingenious Designs, to HSN. Gross, I can’t listen to it; I have to go to bed.’ And I said yes, but it’s a groaning, reluctant yes.” It’s the kind of unfiltered moment you come to expect when interviewing Lawrence, who may now be one of the most famous actors on the planet but still blurts out whatever she’s thinking with such self-deprecating charm it’s impossible not to be, well, charmed.

Jennifer Lawrence’s performance as Miracle Mop inventor and QVC pitchwoman Joy Mangano glues the movie together, but it threatens to unravel at any time. Lawrence, 25, looks genuinely surprised when complimented about how unchanged she seems from our earlier interviews before the fame and Oscars. “But there would be no reason to change,” she says with a shrug. “I just have a job and I love my job. In the film, Lawrence’s Mangano is a colourful character, a single mom with a unique relationship and friendship with her ex-husband, and an enterprising woman who parlays her creativity into an incredibly successful business.

Mom (Virginia Madsen) stays in her bedroom and watches soap operas, until she falls for a Haitian plumber (Jimmy Jean-Louis) who fixes a hole in her bedroom floor. She landed minor roles on TV shows such as Monk, Cold Case and Medium before her 2010 indie film Winter’s Bone led to her becoming the second youngest best actress Oscar nominee in history. This is true even when the film tilts off its rocker with a bit of Russell-esque madness built into the screenplay, and with the director failing to always keep the energy going. That resulted in not only a string of critically acclaimed films, an Academy Award and another Oscar nomination, but also her very own mega-franchise as Katniss Everdeen in The Hunger Games.

Joy’s grandma (endearing Diane Ladd) delivers messages of empowerment and smooths over constant fights, but she’s opposed by the money-grubbing rich woman (Isabella Rossellini) who dates Joy’s dad and sends negative messages about her. Lawrence’s endearing habit of speaking her mind resulted in a controversial essay she penned on Lena Dunham’s website about her discovery during the Sony hacks that she was being paid less “than the lucky people with dicks” on her recent films, including American Hustle. “I completely understand when people say actors shouldn’t talk about politics and things they don’t know about, but this was my gender at stake and it was being threatened with unfairness and I thought, ‘What is the point of having this voice if it’s not to speak out for myself and for everyone else who can’t?’,” she says unapologetically.

Upon learning that Lawrence would be playing her mom, Miranne says, “I braced myself so I wouldn’t fall on the floor.” As for Mangano, she says Lawrence playing her “made me feel old, number one. Lawrence hangs out with a posse of celebrity girlfriends, including Amy Schumer and singer Adele, but the reason is simple. “The friendship gets expedited a lot when you meet someone you know beyond a shadow of a doubt has no agenda,” she says. Draining her savings and taking out loans, she started off small, selling her mops to local boat owners. “She persuaded QVC to take a thousand, but sales were poor and they tried to send them back,” says Mason. “She suggested letting her demonstrate it herself, and the channel agreed.” Sales skyrocketed and Mangano’s career as a QVC pitch woman was launched. That’s so amazing there aren’t even words.” Mangano and her three children didn’t view “Joy” until the Dec. 13 premiere in Manhattan, though a family outing to see “Trainwreck” included a trailer.

This is, after all, the self-confessed reality-show junkie who confessed in a recent Vogue interview that on the night of her 25th birthday party, friends surprised her with a visit from reality queen Kris Jenner, who presented her with a cake inscribed, ‘Happy Birthday, you piece of shit!’ The only time she seems tongue-tied is when asked about her relationship status, after a four-year stint with X-Men: First Class co-star Nicholas Hoult and a year with Coldplay singer Chris Martin before their breakup earlier this year. “Next!” Lawrence says in a no-nonsense voice, pausing as she decides if she’ll continue that thought. For one thing, Mangano’s childhood is not that interesting for a film, despite some flashbacks to her as a youngster (when she is played by 10-year-old Isabella Cramp, who does actually look like we imagine Lawrence could have at the same age). A satire on the acquisitiveness of the public? (Here, QVC foists unnecessary things on gullible viewers who could better save their money.) Russell doesn’t seem to know. And, of course, the grave ending would be a lie: Mangano is very much alive at the age of 59, still inventing, still pitching products, still a superstar of the American home shopping universe. There’s the Clothes It All luggage system, essentially a rolling suitcase with a removable garment bag, and the Super Chic vacuum, which releases fragrance into the air.

If I even casually say something to a reporter, that quote haunts me for the rest of my life,” she says, “so I am never, ever, ever talking about boys again!” I don’t think any of us brought enough tissues!” A good portion of the film was shot last winter in Boston, and though the always-busy Mangano was twice scheduled to visit the set, snowstorms made travel impossible. He has mixed genres successfully before, as in the anti-war comedy-drama “Three Kings,” but the blender often grinds to a halt in “Joy.” Just as we’re getting used to the realism of Mangano’s fight for respect, Russell photographs Rossellini as if she were a gargoyle.

One of her creations, the thin and velvet-covered Huggable Hanger, remains a bestseller for HSN, at more than 300 million sold, and was endorsed by Oprah Winfrey. Yet in “Silver Linings Playbook,” Cooper, De Niro and Russell all supported her with fine work; here they lay back and make the movie a one-ring circus where she has to be acrobat, bareback rider and clown.

He had a presence all of his own.” At one point, Miranne says, “Jennifer grabbed Joy’s hand and said to David, ‘Look at the nails, a French manicure.’ ” (That manicure is a Mangano signature.) Lawrence revealed that in studying for her part as Joy, she watched recordings of the inventor’s early pitches on HSN, including ones for “Huggable Hangers” and found her so compelling that she wanted to buy them on the spot. There is something special when creative people get together.” Mangano’s take on Lawrence? “She’s beyond her years, so brilliant, hysterical and so talented.

Critically, Russell’s sense of wonder and beauty turns elegiac moments — especially when Joy Mangano becomes fully realized as a woman and as a business executive — into scenes of great beauty. Lawrence recently said on “The Tonight Show With Jimmy Fallon” that the movie was “half Joy Mangano’s story and half [Russell’s] imagination and other powerful, strong women who inspired him.” The director mined much of his Mangano material by phone.

The cast includes Edgar Ramirez, Diane Ladd, Virginia Madsen, Isabella Rossellini, Susan Lucci (in a mock TV soap opera that gives Joy some of its silliness) and even Melissa Rivers as her late mother Joan Rivers. There’s no situation Joy cannot overcome or circumvent.” At a Newsday photo shoot at Mangano’s luxurious but serene 42,000-square-foot mansion on 11 acres in St. As for parting advice for the ambitious? “If this movie inspires even just one more person to believe in themselves and to go after their dreams, then it’s made a very special impact in this world.

Here you can write a commentary on the recording "Finding the ‘Joy’ in Jennifer Lawrence".

* Required fields
Twitter-news
Our partners
Follow us
Contact us
Our contacts

About this site