Movie review: Stars bond in a funny ‘Sisters’

23 Dec 2015 | Author: | No comments yet »

Carol Burnett talks Sid Caesar, Jimmy Stewart, Tina Fey and Amy Poehler.

Maura is a divorced nurse who tries to take care of everyone, including a “homeless” man she offers sunscreen and the chance to shower at her house. While shopping for new dresses, the Ellis sisters Maura and Kate (comedy queens Amy Poehler and Tina Fey) pull at the short hemlines and adjust the spandex ruching over their bodies.In ”Sisters,” Tina Fey and Amy Poehler attempt to bring the most teenage of comedy genres — the house-party movie, that of keg stands and drunken hook-ups — into middle age.

Actress Tina Fey felt like a hypocrite the first time she met U.S. presidential candidate Donald Trump because she couldn’t tell him she wasn’t a fan of his politics. Older sister Kate is a wild child, mother of a daughter who is more responsible than she is, and a hothead who regularly gets fired from hair salon jobs. Poehler, playing the more conservative of the siblings, looks down at the sequined “WERK” emblazoned across her chest and opines: “I think we need a store that is less Forever 21 and more Suddenly 42.” Lycra is a younger woman’s game – and Sisters hilariously and unapologetically belongs to the middle-aged woman.

The multitalented and modest Burnett got candid with FOX411 about paving the way for women in the entertainment industry, her friendship with Jimmy Stewart, and coping with the loss of her daughter, Carrie. Fey and Poehler play Kate and Maura Ellis, two distant sisters who come together when their parents (Dianne Wiest and James Brolin) decide to sell their childhood home. He recently sparked outrage again by suggesting Muslims should be banned from entering the U.S. following the terrorist attacks in Paris, France and San Bernardino, California. Both decide to relive one of their teenage “Ellis Island” parties by throwing one last rager in their parents’ home. “Sisters” isn’t so much about their relationship as it is focused on the bash; had it not already been taken, “House Party” would have been a better title. Maura has always been the “party mom” staying sober and keeping a watchful eye on everyone but wants to, as she anachronistically says, fly her freak flag.

Or maybe “Adult Party.” The laughs in “Sisters” come from its 40-something stars partying like teenagers, a premise that might work as an “SNL” Digital Short, but is stretched thin here. She hopes to drink, dance, flirt with neighbor James (Ike Barinholtz), not worry about holding the hair of a vomiting guest or being the designated driver, and just have the fun that eluded her in her teen years while Kate was killing it. It allows the film, directed by Pitch Perfect’s Jason Moore and written by Saturday Night Live’s Paula Pell, to draw on the best images of the house-party genre without being tired or wan. Also, we wanted to be more organized than a mass of videos with no particular order, so there’s a playlist and it gives a place for fans to comment on specific clips; and we’re going to add a new sketch or more every week plus bonus features; they’re kind of wonderful… some with Tina Fey, Amy Poehler, Bernadette Peters to name a few. Instead of talking about school or college applications, the adult conversation turns to colonoscopies and parent deaths and other sad subjects — until the music, alcohol and illicit drugs come out and the inhibitions slip away.

The only questions are how crazy the party will get, how much the house will be trashed, if Kate will stick to being party mom while Maura becomes, uh, acquainted with James and, as in all movies about unauthorized blowouts, what the parents will say when or if they see the aftermath. “Sisters” has two tremendous assets in Ms. This could be the Valley party in Clueless, the crammed living room of Can’t Hardly Wait, the fraternity high jinks of Animal House or the trashed lawn of Sixteen Candles. In the early ’50s he had one called “Caesar’s Hour” and I thought ‘Wouldn’t that be fun to do sketches?’ So, when I got my show I wanted to do something like that.

But here, the guests are a bit worse for the wear of their 40-or-so years, all chino pants and Talbot cardigan sets, unsure of how to let loose like they used to. Director Jason Moore (“Pitch Perfect”) lets his leads do all the work, but doesn’t build up anything around them. “Sisters” should be a smart romp, but it’s a busted party. As a younger character (the hilarious Greta Lee) puts it as she looks out over the middle-aged carnage of crying, wine-drunk women, and slurring, pantless men: “Wow, people are really working their stuff out at this thing.” Suburban life has taken its basic toll. Along the way it has some genuinely funny moments, others that are crude, juvenile or repetitive, and attempts to wring laughs out of a 67-year-old briefly using the f-word the way other comedies turn tykes or grannies into potty mouths. There are so many combined years of sketch-comedy experience in the cast credits that the film’s timing is tight, the jokes continuous and the few flubs forgivable.

There are handful of solid guests like Maya Rudolph (as Kate’s nemesis), John Cena (as a drug dealer, making his second fine comedy cameo of the year following ”Trainwreck”) and John Leguizamo (as a sleazy alcoholic). Fortunately, Sisters doesn’t collapse into total absurdity in the same way that many house-party movies do – the film is slapstick and at moments teeters on the edge of too much, but it quickly snaps back before losing its audience. It’s becoming increasingly clear that if she’s ever to star in a movie as good as anything else she’s done (from ”30 Rock” to her book, ”Bossypants”) she’s going to have to write it herself. ”Sisters,” a Universal Pictures release, is rated R by the Motion Picture Association of America for ”crude sexual content and language throughout, and for drug use.” Running time: 118 minutes. There’s no end to his talent so I was thrilled I was booked on “The Colbert Show” and was hoping I would get to meet him, and I was surprised when he came out and recited that poem. Mature moviegoers may also appreciate the notion of whether someone who fell into a certain pattern in high school can break away from that, and just what the concept of home really means.

And thanks to its love of a good time and the comedians who light it up, this film will join the hallowed ranks of Baby Mama, Bridesmaids, Spy and Trainwreck – that is, as a beloved comedy about brassy broads just werking. Gloria said ‘Well, I’m not going to get him out of here because he loves to sing.’ Gloria called me the next day and said what a wonderful time they had. The nurse said, ‘She’s always so cheerful and smiling, and I asked her how can she be smiling?’ Carrie told the nurse ‘I’m going to decide to love my life today.’ So I do that.

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