‘Hunger Games: Mockingjay – Part 2′ Racks Up $247 Million Globally

23 Nov 2015 | Author: | No comments yet »

‘Mockingjay — Part 2′ logs $101-million opening, lowest in ‘Hunger Games’ franchise.

LOS ANGELES (AP) — “Mockingjay — Part 2,” the final “Hunger Games” film, soared to a $101 million opening in its first weekend in theaters, according to Rentrak estimates Sunday.Katniss Everdeen may have come out on top of the weekend box office with an estimated $101 million in domestic ticket sales, but the new “The Hunger Games: Mockingjay — Part 2″ fell short of industry expectations and, unlike the “Twilight” and “Harry Potter” young-adult juggernauts, her “Hunger Games” finale fell far short of other films in the franchise. Starring Jennifer Lawrence and directed by Francis Lawrence, “Mockingjay – Part 2” saw ticket sales in the U.S. and Canada fall below industry expectations of about $120 million.

But this is about “The Hunger Games,” the epic heart-wrenching action series that made Jennifer Lawrence a household name, made us wish our dresses could light on fire, and in the spirit of all spot-on book-to-film adaptions, made reading cool again (at least for a little while). Instead, “Mockingjay — Part 2″ had the lowest debut of the series, down $20 million from the most recent sequel and $57 million from “Catching Fire.” Like its contemporaries “Harry Potter” and “Twilight,” the last book was split into two films. At art houses, “Brooklyn” (Fox Searchlight) continued to perform well and the new release “Carol” (the Weinstein Company), starring Cate Blanchett and Rooney Mara, posted strong results in extremely limited release. The overall franchise has grossed over $2 billion worldwide and counting,” said David Spitz, co-president of theatrical distribution for Lionsgate. “It’s a pretty phenomenal result.” Dergarabedian attributes the showing to a down marketplace. In “Harry Potter,” the final movie is an all-out battle between the good and evil wizards, complete with edge-of-your-seat action and a few laugh-out-loud quips amid the chaos.

Just two weekends ago, “Spectre,” which fell to second place this week with $14.6 million, failed to live up to the domestic opening of “Skyfall,” the previous James Bond film. Even though some of those markets were affected by the fallout of terrorist attacks in Paris, Spitz said the film is performing on par compared to the previous films. “We’re having a great weekend,” Spitz said. “It’s nice to be able say we are one of only 34 films to have ever had an opening weekend over $100 million.” About 70% of critics on Rotten Tomatoes gave the film a positive rating.

With $12.8 million, “The Peanuts Movie” finished behind “Spectre” and ahead of the Seth Rogen holiday comedy “The Night Before,” which earned an expected $10.1 million. By staying dutiful to the book, as author Suzanne Collins promised, the movie wasn’t full of the dramatic teen vs. teen battles that comprised the first two films. Opening early seemed like a really good prelude to the Thanksgiving weekend where it will expand beautifully,” said Rory Bruer, Sony’s president of worldwide distribution. “It’s a good start for us.” The Julia Roberts thriller “The Secret in Their Eyes,” a remake of the Oscar-winning Argentinian film, debuted wide this weekend to $6.6 million from 2,392 locations — slightly under expectations. The movie, which cost an estimated $160 million to make, still is the fifth-highest opening film of the year so far, behind Universal’s “Jurassic World” ($208.8 million), Disney’s “Avengers: Age of Ultron” ($191.3 million), Universal’s “Furious 7″ ($147.2 million) and Universal’s “Minions” ($115.7 million).

Sony’s new buddy Christmas comedy “The Night Before” with Seth Rogen, Joseph Gordon-Levitt and Anthony Mackie was no match for Katniss — or James Bond or Charlie Brown. With this weekend down 11 percent from last year, it remains to be seen whether 2015 will indeed be a record-breaking $11 billion year as many predicted at the outset. Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC. Still performing well is “Spotlight,” director Tom McCarthy’s drama about the Boston Globe’s 2003 Pulitzer Prize-winning investigation of priest sexual abuse. It was the only holdover in the top 10 to post a week-to-week increase — of 166% — partly due to its addition of more than 500 screens and building buzz about its award-season prospects.

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