Hopes are high Philly’s Tina Fey (and Amy Poehler) will triumph against ‘The …
Amy Poehler is ‘Tired of Pretending’ She Cares About ‘Star Wars’.
Numbing, mediocre, vulgar and inane, “Sisters” combines scattershot comedy, trite sentimentality and patronizing life lessons, while throwing 20 jokes a minute at the screen.Maura is a divorced nurse who tries to take care of everyone, including a “homeless” man she offers sunscreen and the chance to shower at her house.While shopping for new dresses, the Ellis sisters Maura and Kate (comedy queens Amy Poehler and Tina Fey) pull at the short hemlines and adjust the spandex ruching over their bodies.In ”Sisters,” Tina Fey and Amy Poehler attempt to bring the most teenage of comedy genres — the house-party movie, that of keg stands and drunken hook-ups — into middle age.
The comedy opens this weekend, opposite a little film called Star Wars: The Force Awakens, and when Meyers offered the stars a chance to promote their movie using figurines from the beloved sci-fi franchise, tempers ran a little high. “I have read this guy’s name three times,” Poehler said of her figurine. “I don’t care. Older sister Kate is a wild child, mother of a daughter who is more responsible than she is, and a hothead who regularly gets fired from hair salon jobs. Poehler, playing the more conservative of the siblings, looks down at the sequined “WERK” emblazoned across her chest and opines: “I think we need a store that is less Forever 21 and more Suddenly 42.” Lycra is a younger woman’s game – and Sisters hilariously and unapologetically belongs to the middle-aged woman.
The multitalented and modest Burnett got candid with FOX411 about paving the way for women in the entertainment industry, her friendship with Jimmy Stewart, and coping with the loss of her daughter, Carrie. Not to mention their stellar individual achievements, most notably Fey’s “30 Rock” and Poehler’s “Parks and Recreation.” So it’s with no small reluctance I report “Sisters” is a depressing, overlong, repetitive slapstick disaster in which two of the most appealing stars around wallow in the muck AND the mire, figuratively and literally. I don’t care about Star Wars and I never f***ing did!” “I’m sorry, I’m tired of pretending,” the actress and comedian continued as her fellow castmates cracked up. “I’m tired of pretending, I don’t care about it. Screenwriter Paula Pell’s sitcom premise — Fey and Poehler play sisters coming together to spend one last weekend in the childhood home their parents have just sold — allows the duo to vamp their way through a series of increasingly chaotic and eminently R-rated situations.Fey plays Kate, the wayward sister, and Poehler is Maura, the responsible one; reunited, they decide to invite their old high-school class over for a last waltz. Given the screenplay is by longtime “Saturday Night Live” scribe Paula Pell and the director is Jason Moore (“Pitch Perfect”), it’s genuinely surprising that “Sisters” reaches for such low-hanging fruit.
This guy’s face is covered up, ‘cause he’s so embarrassed that he’s gotta go see Star Wars.” Some of Poehler’s co-stars had some pretty solid pitches, however. If your idea of cutting-edge humor is a drugged-out, 40-something class clown doing artwork with his genitals, a pratfall that results in a musical ballerina figurine jammed up a man’s rear end, tired stereotypes about lesbians and Korean manicurists, numerous characters making drunken fools of themselves and, yes, sisters wrestling in mud, by all means step right up and purchase a ticket. Ike Barinholtz’s figurine was of Kylo Ren, the Sith Lord played by Adam Driver in the latest installment, and the actor did a solid impression of Driver as he made his plea. Maura has always been the “party mom” staying sober and keeping a watchful eye on everyone but wants to, as she anachronistically says, fly her freak flag.
The simple premise – that two women in their 40s throw a house party in their childhood home in an attempt to relive their glory days – is sort of brilliant. So if you’re a fan of these splendid actresses, this movie can’t help but disappoint.However, the ramshackle structure allows individual moments to pop, especially with a cast full of veteran improvisers. “SNL” rep members Maya Rudolph, Rachel Dratch and Bobby Moynihan all answer the bell, “Mindy Project” regular Ike Barinholtz provides a predictably hunky-yet-ironical love interest for straight-laced Maura, and John Leguizamo adds an expert note of sleaze. Rachel Dratch’s Chewbacca figurine mostly just made Wookie noises from his spot perched on her cleavage, while Maya Rudolph’s BB-8 gave a nod to Poehler’s rant. She hopes to drink, dance, flirt with neighbor James (Ike Barinholtz), not worry about holding the hair of a vomiting guest or being the designated driver, and just have the fun that eluded her in her teen years while Kate was killing it.
It allows the film, directed by Pitch Perfect’s Jason Moore and written by Saturday Night Live’s Paula Pell, to draw on the best images of the house-party genre without being tired or wan. Also, we wanted to be more organized than a mass of videos with no particular order, so there’s a playlist and it gives a place for fans to comment on specific clips; and we’re going to add a new sketch or more every week plus bonus features; they’re kind of wonderful… some with Tina Fey, Amy Poehler, Bernadette Peters to name a few. Instead of talking about school or college applications, the adult conversation turns to colonoscopies and parent deaths and other sad subjects — until the music, alcohol and illicit drugs come out and the inhibitions slip away.
When Maura learns their parents (James Brolin and Dianne Wiest, trying hard) are selling the family home in Orlando, she and Kate race to Florida, only to find a “SOLD” sign planted in the lawn, Mom and Dad already living in a condo in a senior citizens’ complex, and a nearly empty house save for their two bedrooms, which apparently haven’t been touched since the girls moved out — when, 20 years ago? Their aging parents Bucky (James Brolin) and Deana (Dianne Wiest), who, we are reminded, are sexually active, want to sell in order to “purge” and start over. The only questions are how crazy the party will get, how much the house will be trashed, if Kate will stick to being party mom while Maura becomes, uh, acquainted with James and, as in all movies about unauthorized blowouts, what the parents will say when or if they see the aftermath. “Sisters” has two tremendous assets in Ms. This could be the Valley party in Clueless, the crammed living room of Can’t Hardly Wait, the fraternity high jinks of Animal House or the trashed lawn of Sixteen Candles. In the early ’50s he had one called “Caesar’s Hour” and I thought ‘Wouldn’t that be fun to do sketches?’ So, when I got my show I wanted to do something like that.
The sisters, meanwhile, think it is a brilliant idea to have a last blowout party at their parents’ house with their 40-something high school friends and “frenemies” before the new buyers, the Geernts (an amusing Santino Fontana and Britt Lower), move in. But here, the guests are a bit worse for the wear of their 40-or-so years, all chino pants and Talbot cardigan sets, unsure of how to let loose like they used to. As a younger character (the hilarious Greta Lee) puts it as she looks out over the middle-aged carnage of crying, wine-drunk women, and slurring, pantless men: “Wow, people are really working their stuff out at this thing.” Suburban life has taken its basic toll. In scene after scene after scene after — well, you get the idea, these middle-aged maniacs abuse the house and the surrounding grounds in mind-numbingly uncreative fashion. Along the way it has some genuinely funny moments, others that are crude, juvenile or repetitive, and attempts to wring laughs out of a 67-year-old briefly using the f-word the way other comedies turn tykes or grannies into potty mouths.
Poehler and Fey seem to be having fun sexing it up a bit, wearing provocative clothing and performing dance numbers and flaunting their attractiveness more than is their usual practice. There are so many combined years of sketch-comedy experience in the cast credits that the film’s timing is tight, the jokes continuous and the few flubs forgivable. Fortunately, Sisters doesn’t collapse into total absurdity in the same way that many house-party movies do – the film is slapstick and at moments teeters on the edge of too much, but it quickly snaps back before losing its audience. It’s becoming increasingly clear that if she’s ever to star in a movie as good as anything else she’s done (from ”30 Rock” to her book, ”Bossypants”) she’s going to have to write it herself. ”Sisters,” a Universal Pictures release, is rated R by the Motion Picture Association of America for ”crude sexual content and language throughout, and for drug use.” Running time: 118 minutes.
There’s no end to his talent so I was thrilled I was booked on “The Colbert Show” and was hoping I would get to meet him, and I was surprised when he came out and recited that poem. Mature moviegoers may also appreciate the notion of whether someone who fell into a certain pattern in high school can break away from that, and just what the concept of home really means. And thanks to its love of a good time and the comedians who light it up, this film will join the hallowed ranks of Baby Mama, Bridesmaids, Spy and Trainwreck – that is, as a beloved comedy about brassy broads just werking. Gloria said ‘Well, I’m not going to get him out of here because he loves to sing.’ Gloria called me the next day and said what a wonderful time they had. The nurse said, ‘She’s always so cheerful and smiling, and I asked her how can she be smiling?’ Carrie told the nurse ‘I’m going to decide to love my life today.’ So I do that.
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