Drake vs. Meek Mill: A timeline of beef

1 Aug 2015 | Author: | No comments yet »

Meek Mill hits back at Drake with diss track ‘Wanna Know’.

This week, Drake took the offensive in his heated feud with Meek Mill by firing back-to-back shots at the Philadelphia MC in the form of two diss tracks.

There’s no music criticism harsher than the Twitter jury, and Philadelphia rapper Meek Mill is finding that out following the release of his Drake diss track “Wanna Know” late Thursday.Since Mill accused Drake of employing a ghostwriter, the Canadian rapper has spent the past week straight ethering him with a duo of diss tracks that set the Internet on fire.Who among us hasn’t fantasised about Thom Yorke curling his falsetto around an icy electronic beat while Daniel Craig somersaults over bullets in slow-motion, wearing a suit?

And while Meek spoke out calling “Charged Up” “baby lotion soft” and posted a vague single-letter tweet after he released its follow-up, “Back to Back,” he hadn’t responded lyrically until now. In a new diss track titled “Wanna Know,” which the rapper released late Thursday, Meek finally retaliates, rapping, “I just wanna know / If you ain’t write that runnin’ through the 6 sh– / Tell us, who was Quentin runnin’ through the 6 with?” Listen below: The track also includes what appears to be the reference track for Drake’s “Know Yourself” with Quentin Miller, whom Meek Mill named as Drake’s ghostwriter when he claimed the Toronto MC doesn’t write his own raps. Save for an amusing suggestion that Drake was once urinated on by one of T.I.’s entourage, the lyrics lack both bite and humor — a disappointment considering Meek’s usual verbal fury.

Apparently not, according to bookies William Hill – they decided on Tuesday to suspend betting on the singer of the next James Bond theme song, after some absolute joker placed £15,000 on Radiohead’s chances. Drake posted an image of himself LOLing on Instagram, Whataburger chimed in with some sass and a number of athletes took to Twitter to make their feelings known – fitting, considering Drizzy worked Toronto great Joe Carter into the mix with “Back to Back.” Kevin Durant kept his response simple with a number of charged up emojis, while others, like Harrison Barnes and Isaiah Thomas, had a little more to say. In Nugent’s eyes, dentist Walter Palmer did the right thing when he paid $50,000 to track and kill a lion in Zimbabwe after luring it beyond the safe confines of a national park. “The whole story is a lie,” Nugent wrote on Facebook. “It was a wild lion from a ‘park’ where hunting is legal & ESSENTIAL beyond the park borders.

Brandon Jennings, fresh off of butting heads with Mill’s manager, went a step further by taking one of Meek’s lines to heart – “Now y’all gonna have to give me a check to stop” – and offering $150 to save him from further embarrassment. All animals reproduce every year & would run out of room/food to live w/o hunting.” Er, not sure about the science behind that one, Nugent, but we’ll keep an eye out for the “full piece” you’re writing about it.

Not only did the Steelers’ back think Mill’s track was “trash,” he suggested that Nicki Minaj do his writing from now on. 2015 may not bring everything that Back to the Future II promised it would: flying cars, self-lacing shoes, we don’t see ’em happening over the next 12 months. (Then again, don’t bet against Nike.) But this year will definitely pack plenty of punch when it comes to cultural happenings. For an artist who has cut short more than one Australian gig in the past, after punters allegedly hurled full beer cans on stage, that’s almost a news story in itself. Mad Max will roar back out of the apocalypse while Mad Men rides off into the sunset, rock’s Antichrist Superstar and hip-hop’s Yeezus will rise again.

When a local radio broadcaster chose to point that out in a snarky tweet to Banks, she replied, calling Aussie crowds terrible, violent and belligerent. Rather, Dre is meant to be putting out music inspired by forthcoming music biopic, Straight Outta Compton – and, according to Ice Cube, the album may come out on 1 August. Rolling Stone begs to differ, attributing confirmation of a later release date to “multiple sources”, but the point is, we’ve still not heard a new studio album from Dre in 16 years and that madness has to stop.

A protest against police brutality at Cleveland State university turned musical, when activists started chanting the chorus hook to Kendrick Lamar’s Alright. The song, off sprawling album To Pimp a Butterfly, features lyrics about black people being killed at the hands of the police, and the mantra that through it all: “we gon’ be alright”.

Fittingly, the marching protesters repurposed the song, reminding us all that before hip-hop went pop, it was a form of protest music that gave a voice to the multi-faceted struggles of disenfranchised black and brown men in the US. Not because of intricate cake designs, but because the happy birthday song that most of us recognise was under copyright to a music publishing company. A newly discovered 1927 songbook has now essentially placed the song back in the public domain – though the specific arrangement copyrighted by Warner Chappell will still be under pricey lock and key. If Frank Ocean orchestrated both the Taylor Swift vs Nicki Minaj and Drake vs Meek Mill Twitter spats to distract us from the fact that he did not, in fact, release a new album this month, then I applaud the effort. You know that feeling, when you’re giving a presentation at work and start to lose your way, so end up going off-book completely and rambling into the middle distance?

In a tribute to the 40th anniversary of John Lennon obtaining his US green card, Bono went from honouring the struggle of immigrants to saying we should claim all the Beatles as not only immigrants, but Irish. Before all the luxury of portable recording devices, he and John Lennon just had to remember the ditties before getting into a studio and recording them.

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