Disney to bring mobile technology to more parks

23 May 2015 | Author: | No comments yet »

‘Tomorrowland’ Draws from NASA Past and Future.

It’s a glimpse of a hyper-technological future many would love to visit — including none other than Walt Disney, who channeled his own vision of the future into theme parks like Tomorrowland (a section of The Magic Kingdom) and EPCOT (a theme park in its own right).Brad Bird’s new Disney movie Tomorrowland shares its name and logo with one of the many themed “lands” at the company’s theme parks, but it borrows from much more than just that one section.Disney’s new sci-fi adventure “Tomorrowland” is very loosely inspired by its namesake sections in the Disneyland theme parks, which I’ve never visited.

In the new Disney film “Tomorrowland,” now in theaters, NASA provides the launch pad — literally and figuratively — for the movie’s plot to unfold. In a featurette, the creative team behind Tomorrowland shows off original clips of Walt Disney, describing ideas that eventually inspired the new film: “Many of the things that seem impossible now will become realities tomorrow,” says Disney. “A beautiful tomorrow just a dream away.

Those who’ve been to Disney World dozens of times, as I have, will also notice elements of Space Mountain, Cinderella’s castle, Epcot’s Spaceship Earth, and more. – The most spectacular idea that Walt Disney has come up with in thirty years of profitable daydreaming will become reality a week from tomorrow when his one-man world’s fair, Disneyland, opens at Anaheim, Calif.

The feature film, which drew its initial inspiration from the theme park land by the same name, juxtaposes the end of NASA’s space shuttle program in 2011 with the space age future Walt Disney envisioned when he opened the original Tomorrowland in 1955. “Tomorrow can be a wonderful age. In the movie, a 12-year-old boy who grows up to be played by George Clooney boards a boat on the Disney-created “It’s a Small World” water ride, which has a secret trap door that lands him in the titular futuristic city in a parallel dimension. I’ve just taken a tour of this unique, $17,000,000 wonderland that Disney beamingly refers to as “160 acres of happiness.” My guide was the boss himself.

There’s progress ahead.” Two U.S. officials speaking anonymously with The Guardian on Friday said Iran has contributed troops to the Iraqi ground force operations against ISIS. Many of us baby boomers went to the Pepsi-sponsored UNICEF pavilion (neither Pepsi nor UNICEF rates even a passing mention in the movie) and took that very popular ride (disappointingly, minus the trap door), which itself has reportedly inspired an entire upcoming Disney film.

Her reality though, is the dismantling of Launch Pad 39A, the real-life platform at NASA’s Kennedy Space Center in Florida from where astronauts left for the moon and shuttles flew for three decades. “The beginning starts off with sort of an empty dismantling of the pad, which one can interpret in different ways,” said Bert Ulrich, NASA’s liaison for the film, in an interview with collectSPACE.com. “But then, what ends up happening, there’s this hat, and it grounds the Casey character in where she comes from, why she is what she is.” Casey attempts to fix her future —starting with the launch pad’s fate —and from there finds herself on an unexpected journey with inventor Frank Walker (actor George Clooney) to the fantastical Tomorrowland that Disney first imagined and that director Brad Bird built his movie upon. The U.S. military has previously stated that Iran’s involvement would not be opposed, so long as its troops remain under the command of Iraqi government-led forces. If it sounds familiar, you probably heard it playing in the Carousel of Progress, which premiered at the fair, and is now an attraction in Disney World’s Tomorrowland. It’s something I dreamed up years ago.” We entered the grounds through an old time railroad station and climbed into a scaled down replica of the locomotives that puffed their way west three-quarters of a century ago. This could be a coincidence, but it’s hard not to compare the animatronic girl’s blue dress, curly updo, and blue bow with those of Peter Pan’s favorite girl in Disney’s animated classic (and in its Disney ride).

Disney had a huge footprint at this world’s fair, which sprawled over the same square mile in Flushing Meadows as its 1939-40 predecessor, which also tried to predict the future with very mixed results. I still have a scrapbook containing, among other things, a punch card commemorating my 14-year-old self’s very first encounter with a (refrigerator-size) computer. Sharing the engineer’s seat with Disney was a grinning Mickey Mouse, the first product of Disney’s boundless imagination and founder of his fortunes. The Sherman Brothers also provided the annoying (and less than prescient, with America’s involvement in the Vietnam War increasing by the day) “There’s a Great Big Beautiful Tomorrow” as the anthem for Disney’s audio-animatronic exhibit at the General Electric pavilion, which was called “Progressland.” There were animatronic cavemen and dinosaurs to entertain the crowds at the Disney-designed “Ford’s Magic Skyway.” Disney’s imagineers even contributed an animatronic version of the 16th president for the Illinois pavilion’s “Great Moments with Mr.

During our ride Walt directed part of his conversation of me and part of Mickey, calling him “Casey Jones.” Back at the station, he called attention a reproduction of state town Main Street of the last century. “Complete even to horse-drawn streetcars that the visitor can ride,” Walt said proudly. Unlike its twin, 39B, or its “Tomorrowland” version, Pad 39A’s support towers are still standing today, though are being converted for commercial use by the spaceflight company SpaceX under a 20-year lease with NASA.

Sarah Eberspacher A gunfight between federal forces and suspected cartel members in the western Mexico state of Michoacán left at least 42 people dead on Friday night, government officials told Reuters. Most of those killed were suspected gang members; while federal officials did not name the cartel involved, Michoacán’s Governor Salvador Jara told a news station that the criminals were likely from the Jalisco New Generation cartel, which specializes in producing and trafficking methamphetamine to the U.S. from the region. Each has four walls and a roof and is scaled down to 80% of full size, though the one-fifth reduction in dimensions is not noticeable until your attention is called to it.

It was fantastic.” The movie’s fictional backstory, which Disney released as part of an exhibition and alternate reality game that began two years ago, explains that “Tomorrowland” was inspired in part by the real collaboration between Walt Disney and NASA’s Wernher von Braun. The Wall Street Journal reports that New Generation has orchestrated several police killings over the past few months, most notably on May 1, when its gang members targeted an army helicopter, while also setting fire to banks, gas stations, and cars in Guadalajara. Finally, when Casey shoots through a darkened tunnel with colorful lights on her first trip to Tomorrowland, it looks awfully reminiscent of the tunnel that visitors to Space Mountain travel through at the beginning of their space mission. The exhibits, or parts of them, were re-installed at his original Disneyland in Anaheim, Calif., and have been refurbished over the years, with variations also turning up at Disney World and other Disney theme parks around the world. This one’s pretty obvious, since little Frank Walker follows Athena straight onto the iconic attraction at the World’s Fair, and rides through a portion of it, but we’d be remiss to leave it out.

The Disney castle production logo was given a futuristic makeover for its appearance before Tomorrowland, but the skyline of Tomorrowland itself also has the same general outline as this castle—which is inspired by Cinderella’s Castle at the park. And when Casey sees it for the first time against a stark backdrop, the effect is strikingly similar to the unveiled logo at the start of every Disney movie. The Epcot ball, officially named Spaceship Earth, seems to have made its way into Tomorrowland’s cityscape—you can glimpse what looks like a metallic version of it in some shots of the city skyline.

Tomorrowland is identified by a towering, pylon-like space rocket. “The symbolizes the scientific achievements that will be as familiar to the young people of tomorrow as Main Street is to you and me,” he replied. “Kids and grown-ups too can take a trip to the moon from here. To go back into history you pass through the gates of an old log blockhouse guarding Frontierland, where Indians decked out in skins, beads and feather grunt “How!” at visiting palefaces who have obtained a safe-conduct by paying $1 at the main gate.

Western-type stores and buildings – the marshal’s office, the jail the general store and every other enterprise you’ve ever seen in a horse opera – line the board walks of the town. You can board a buckboard, a covered wagon or a stagecoach for a ride through the Painted Desert, which is infested with Disney creatures that look even better than the real thing and happily don’t bite or sting. Disney has even banned beer, though the suds makers made him some mighty tempting offers. “I could have got most of my costs back with beer concessions alone,” Walt told me. “A lot of adults will come here, but Disneyland is primarily for children and I don’t think kids and liquor mix.” Thirsty visitors will be directed to the Golden Horseshoe, the “longest little bar with the tallest glassful of pop,” which faces on a river dock in Frontierland. There’s the Peter Pan that takes you flying over a moonlit London in a pirate galleon to a Never Never Land of mermaids, buccaneers, Indians and lost little boys.

Toad Driven-Thru – a trip in a 1903 automobile that goes careening into a barn and delivers you beyond the pearly gates to accompaniment of heavenly music. In effect, he’s built himself a dream world which will be paid for by the millions who are expected to flock in, and by the concessionaires who’ll cater to them. Right now there are 5,000 more acres in various stages of annexation. “They’re saying around here,” Perry said “that people out number oranges two to one in Anaheim.

Since the advent of Disneyland we’re now calling ourselves the new center of Southern California.” A number of money-minded men, among them Jack Wrather, the oil millionaire and movie producer who married Bonita Granville, grabbed opportunities to ride on the Disneyland gravy train. Noting that the immediate area was short on first-class hotels, Wrather leased a 30-acre orange grove across the street from Disneyland and is building a $10,000,000, 650-room motel on the property. To clinch the trade he will offer day and night nursery service and staff sitters to stay with the kids when mama and papa tire of Disneyland and want to step out for a night in the gin mills. There are engineers, architects, landscapers, carpenters, scenic artists, painters, steam fitters, cement mixers, pavement contractors, bricklayers, interior decorators and representatives of every known art, craft and profession. This fall Walt is starting a new series of 26 shows, carrying in his historical adventure theme in two features: “Johnny Tremaine,” the story of a boy who lived during the Revolution and witnessed Paul Revere’s Ride, the Boston Tea Party and the Battle of Lexington, and “Children of the Covered Wagon,” in which Fess Parker will discard his bar rifle for a prairie surgeon’s scalpel.

Also scheduled for the autumn is “The Mickey Mouse Club,” an hour-long, five-a-week children’s newsreel in which Mickey will be master of ceremonies. “Our photographers all over the world will send in film showing what children in other lands are doing,” Walt said. “As soon as we are accredited at the White House I expect to see the Mickey Mouse newsreel filming the President. “We have all kinds of ideas. Or if a girl wants to be a nurse, we’ll enroll her at a hospital and let her go through the routine.” Though in TV up to his neck, Walt is not neglecting his movie work. You’ll soon be seeing “The African Lion” and, shortly thereafter, “The Little Outlaw,” filmed in Mexico with an all Mexican cast. “I used to rest on Sundays, but it became a terrible bore to loaf around all day,” he said. “I can skip that now because Disneyland gives me a fine excuse not to rest. He lets his brother, Roy grapple with the financiers. “I just tell him how much I need,” he said, “and he always comes up with it.” Everybody connected with Disneyland expects to make a pile o money.

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