7 Magical Moments in Carrie Underwood’s ”Heartbeat” Music Video

2 Dec 2015 | Author: | No comments yet »

Carrie Underwood Rolls Out “Heartbeat” Video on Tuesday.

Opening with a bass-thumping beat that pulses as the camera moves through desolate woods at twilight, the new video for Carrie Underwood’s second single “Heartbeat” lives up to its title.Carrie Underwood made audiences swoon with her performance of “Heartbeat” at the American Music Awards, and Tuesday she released an ethereal video for the ballad.

The tune details the pleasures of finding a dark, quiet place to get away from it all — with the accompanying clip putting a strong emphasis on “dark.” Looking elegant, and a little otherworldly, in a long, flowing cream-colored gown, Underwood is bathed in the faint light of the moon and a smattering of (simulated) fireflies: the song’s lyrics, which Underwood co-wrote, call it a “firefly glow.” The singer-songwriter, who will headline ABC’s New Year’s Eve celebration in Times Square, shares vocals on the song with Sam Hunt, who provides harmony behind Underwood’s emotional lyrics. On a serious note, though, this video’s all about stealing away to a piece of quiet nothingness to enjoy some sensual serenity and the sounds of a significant other’s ~heartbeat~, and we’re definitely into it. “Heartbeat” is Carrie’s second single from Storyteller, her latest album which hit shelves in October, following her initial release “Smoke Break.” Underwood has also released her revenge-y anthem “Renegade Runaway” — which we totally want to see a video for, please and thank you — and “What I Never Knew I Always Wanted.” A preview on Carrie’s Facebook page shows the new mom walking barefoot through the woods wearing a glamorous gold gown, while carrying matching high-heeled shoes. It’s her 2nd single from her fifth studio album, ‘Storyteller’ Lovely vista: Carrie, wearing a shocking ethereal cream gown, drifts by way of the grass as she is surrounded by firefliesIt sparkles within the light as she sings, in that includes thigh high splits in that are blown in a mild breeze, so she reveals her slim legs.The singer appears lovely with her long blonde locks cascading round her shoulders in a messy style.As the twilight falls, Carrie reclines on a grassy knoll, & gazes in marvel at the fireflies round her.

Within the lyrics, she sings of dancing under the harvest moon & admiring the best way her loved one seems to be within the ‘firefly glow.’The show star welcomed her 1st child with husband Mike Fisher earlier this yr and she or he has stated being a mother to Isaiah has undoubtedly made an impact on her artistic side. Fairytale: Her make-up is dewy, with her cheeks reflecting the sunshine & her eyes heavily made up with kohlSpeaking to Natalie Morales on Today in Sept., she stated: ‘It might be impossible to not let your life kind of toil its method in to your music.’My son — he is the happiest little thing within the morning. … The trek kicks off on January 30th in Jacksonville, Florida, and stretches all the way to a May 30th date in London, Ontario. 2015 may not bring everything that Back to the Future II promised it would: flying cars, self-lacing shoes, we don’t see ’em happening over the next 12 months. (Then again, don’t bet against Nike.) But this year will definitely pack plenty of punch when it comes to cultural happenings. Mad Max will roar back out of the apocalypse while Mad Men rides off into the sunset, rock’s Antichrist Superstar and hip-hop’s Yeezus will rise again. An old-fashioned newsreel plays in a movie theater, detailing how the good people of the U.S.A. “keep our country strong and safe.” Shots of well-stocked grocery stores, soaring eagles and smiling 1960s families circa play across the screen.

Then the film cuts to an American flag, unfurling in the breeze — and you notice that, in place of the usual 50 stars, there’s a white swastika against a blue background. “Our greatest days lie ahead,” the cheery narrator intones. “Sieg heil!” Two minutes into Amazon’s The Man in the High Castle, and you know you’re not in Kansas anymore — not the Kansas we’re familiar with, at least. Dick’s 1962 cult sci-fi novel imagines an alternate history in which the Nazis win WWII, and the Axis powers occupy the U.S. (The East Coast is now known as the Greater Nazi Reich; the West Coast has been redubbed the Japanese Pacific States.) Underground resistance fighters plot to bring down the regime as the fascist government engages in political power plays, while a contraband film sought by both sides suggest that some mysterious behind-the-scenes character is pulling the strings. Eventually, the notion that reality may be a collective illusion, the home-life of Nazis and a plot to assassinate an elderly Hitler come into play — and then things start to get really weird. “I’d always assumed that 99% of the time, good triumphs over evil, especially in movies and TV shows,” creator Frank Spotnitz says. “And in this world, that doesn’t happen. If you live in an inhumane world, how do you hold on to your humanity?” “It’s interesting to see how certain signifiers immediately denote, ‘This is eeee-vil,'” notes Rufus Sewell, drawing out the last word in a caricaturish accent, “but when you take certain those things away, it somehow makes truly horrible things seem more palatable.” Cast as the show’s resident Nazi heavy, the British actor said he was taken in by a scene in the second episode, where his character — an original creation given the purposefully generic name John Smith — sits down for breakfast with his family. “It wasn’t just that the scene humanized him.

If you give people the opportunity to look away, from what they care not to see, it’s horrifying what people can be capable of or can accept if we don’t fucking look out.” A longtime fan of the book and a TV veteran best known for his work on The X-Files, Spotnitz came to the project after the man who’d introduced a generation to Dick’s work — Blade Runner director Ridley Scott — had attempted for years to adapt it for the BBC. The writer-producer began to mold the story into a four-hour event series for Syfy; when the network passed, Scott’s production company was about to give up the ghost when Spotnitz got a call from Amazon executive Morgan Wandell, “asking me if there was anything script-wise I loved but hadn’t been able to get made.” The resulting trial-run episode ended up being the single most watched pilot on the streaming channel to date when it debuted last January; the full 10-hour series is now available to binge on at will.

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